Arte IA: Tone arc: rich warmth → cold dread Lighting: gold candlelight fading into white-blue lab fluorescents Color cues: crimson → ash gray → icy blue Panel count: 6 (total) Panel 1 – Arrival Wide, establishing. Mr. Salome crosses his mansion foyer, rain still dripping from his coat. A single chandelier burns above—warm, gold, deceptive comfort. Gabriella hangs limp in his arms, eyes half-closed. Warm colors, curved lines; safety is an illusion. Panel 2 – Transition Over-the-shoulder shot. He pushes open a heavy steel door. The hinge creaks; the candlelight dies behind them. The hallway beyond glows faintly blue, sterile. Use the doorframe as a visual “barrier” between warmth and fear. Panel 3 – First Glimpse of the Lab Medium shot. Rows of glass cylinders and instruments glimmer. Light hums through pipes overhead. Gabriella’s reflection bends across a metal table—small, fragile. Color palette flips: blue-white highlights, black shadows swallowing corners. Panel 4 – The Examination Close-up of Mr. Salome’s hands. He places her on the table. His gloves glisten with condensation. Gabriella’s tiny fingers twitch, nails faintly black at the tips. Add soundless motion—no cry, just the hum of machines. Panel 5 – The Fear Extreme close-up on Gabriella’s face. Eyes open slightly—pupilless black, wet with reflection. The light above her fractures, haloing her in pale terror. No tears. Let the silence carry the emotion. Panel 6 – The Collector Low-angle shot. Mr. Salome stands over her, face half-lit, glasses catching the blue glare. Behind him, walls of notes and sketches hint at years of obsession. A single line of candle smoke drifts up from the extinguished light behind the door. Mood note: The “savior” has become the scientist.

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Tone arc: rich warmth → cold dread Lighting: gold candlelight fading into white-blue lab fluorescents Color cues: crimson → ash gray → icy blue Panel count: 6 (total) Panel 1 – Arrival Wide, establishing. Mr. Salome crosses his mansion foyer, rain still dripping from his coat. A single chandelier burns above—warm, gold, deceptive comfort. Gabriella hangs limp in his arms, eyes half-closed. Warm colors, curved lines; safety is an illusion. Panel 2 – Transition Over-the-shoulder shot. He pushes open a heavy steel door. The hinge creaks; the candlelight dies behind them. The hallway beyond glows faintly blue, sterile. Use the doorframe as a visual “barrier” between warmth and fear. Panel 3 – First Glimpse of the Lab Medium shot. Rows of glass cylinders and instruments glimmer. Light hums through pipes overhead. Gabriella’s reflection bends across a metal table—small, fragile. Color palette flips: blue-white highlights, black shadows swallowing corners. Panel 4 – The Examination Close-up of Mr. Salome’s hands. He places her on the table. His gloves glisten with condensation. Gabriella’s tiny fingers twitch, nails faintly black at the tips. Add soundless motion—no cry, just the hum of machines. Panel 5 – The Fear Extreme close-up on Gabriella’s face. Eyes open slightly—pupilless black, wet with reflection. The light above her fractures, haloing her in pale terror. No tears. Let the silence carry the emotion. Panel 6 – The Collector Low-angle shot. Mr. Salome stands over her, face half-lit, glasses catching the blue glare. Behind him, walls of notes and sketches hint at years of obsession. A single line of candle smoke drifts up from the extinguished light behind the door. Mood note: The “savior” has become the scientist.
—— Fin ——
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Tone arc: rich warmth → cold dread Lighting: gold candlelight fading into white-blue lab fluorescents Color cues: crimson → ash gray → icy blue Panel count: 6 (total) Panel 1 – Arrival Wide, establishing. Mr. Salome crosses his mansion foyer, rain still dripping from his coat. A single chandelier burns above—warm, gold, deceptive comfort. Gabriella hangs limp in his arms, eyes half-closed. Warm colors, curved lines; safety is an illusion. Panel 2 – Transition Over-the-shoulder shot. He pushes open a heavy steel door. The hinge creaks; the candlelight dies behind them. The hallway beyond glows faintly blue, sterile. Use the doorframe as a visual “barrier” between warmth and fear. Panel 3 – First Glimpse of the Lab Medium shot. Rows of glass cylinders and instruments glimmer. Light hums through pipes overhead. Gabriella’s reflection bends across a metal table—small, fragile. Color palette flips: blue-white highlights, black shadows swallowing corners. Panel 4 – The Examination Close-up of Mr. Salome’s hands. He places her on the table. His gloves glisten with condensation. Gabriella’s tiny fingers twitch, nails faintly black at the tips. Add soundless motion—no cry, just the hum of machines. Panel 5 – The Fear Extreme close-up on Gabriella’s face. Eyes open slightly—pupilless black, wet with reflection. The light above her fractures, haloing her in pale terror. No tears. Let the silence carry the emotion. Panel 6 – The Collector Low-angle shot. Mr. Salome stands over her, face half-lit, glasses catching the blue glare. Behind him, walls of notes and sketches hint at years of obsession. A single line of candle smoke drifts up from the extinguished light behind the door. Mood note: The “savior” has become the scientist.

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