AI 艺术: Page 1 – Arrival Wide panel: Boy walking home on a quiet street (maybe sunset or night). Medium panels: He unlocks the door, steps inside. Tone: Peaceful, nothing wrong yet. --- Page 2 – Disturbance Panel 1: Inside the house, boy takes off shoes/bag casually. Panel 2 (close-up): Notices family photo frame on the floor in the next room. Panel 3: Boy freezes, eyes widen → tension rises. --- Page 3 – Horror Big splash panel (full or half page): Boy runs into the room → sees parents lying dead. Other small panels: His shocked face, hands shaking. --- Page 4 – The Killer Appears Large panel: Killer sits in a chair, calm, one leg crossed, face shadowed. Close-up panel: Killer’s hand with unique birthmark/marking clearly visible. Panel of boy’s reaction: Terrified, backing away. --- Page 5 – The Birthmark Panel 1: Close-up of boy’s own hand → the same mark is visible. Panel 2: His expression: confused horror (How could it be…?). Panel 3: Killer still sits in shadow, unchanged → eerie stillness. --- Page 6 – The Retreat Panels: Boy rushes into the bathroom, slams door, breathing heavily. Mirror splash of water: He’s frantically washing blood from his hands or arms. Reflection blurry at first. --- Page 7 – Clues in the Mirror Panel 1: Close-up: faint blood on his shirt collar/sleeve that won’t wash off. Panel 2: Family photo frame (from earlier) lying cracked on the bathroom counter (callback). Panel 3: Boy looks up, terrified at his reflection. --- Page 8 – The Twist Realization Visual: Boy pressed against the window, mouth wide open in a silent scream. Outside, blurred city lights pass by, cold and indifferent. Impact: Pure tragedy → he’s innocent (or maybe?), but the world doesn’t care. Style: Use perspective from outside the car, so readers feel like they’re the ones watching him get taken away. Page 9 – Final Shot Final full-page panel: police arrest him → he sees his reflection in the car window → realizes the killer was him. That’s like a “double gut-punch” ending.

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Page 1 – Arrival Wide panel: Boy walking home on a quiet street (maybe sunset or night). Medium panels: He unlocks the door, steps inside. Tone: Peaceful, nothing wrong yet. --- Page 2 – Disturbance Panel 1: Inside the house, boy takes off shoes/bag casually. Panel 2 (close-up): Notices family photo frame on the floor in the next room. Panel 3: Boy freezes, eyes widen → tension rises. --- Page 3 – Horror Big splash panel (full or half page): Boy runs into the room → sees parents lying dead. Other small panels: His shocked face, hands shaking. --- Page 4 – The Killer Appears Large panel: Killer sits in a chair, calm, one leg crossed, face shadowed. Close-up panel: Killer’s hand with unique birthmark/marking clearly visible. Panel of boy’s reaction: Terrified, backing away. --- Page 5 – The Birthmark Panel 1: Close-up of boy’s own hand → the same mark is visible. Panel 2: His expression: confused horror (How could it be…?). Panel 3: Killer still sits in shadow, unchanged → eerie stillness. --- Page 6 – The Retreat Panels: Boy rushes into the bathroom, slams door, breathing heavily. Mirror splash of water: He’s frantically washing blood from his hands or arms. Reflection blurry at first. --- Page 7 – Clues in the Mirror Panel 1: Close-up: faint blood on his shirt collar/sleeve that won’t wash off. Panel 2: Family photo frame (from earlier) lying cracked on the bathroom counter (callback). Panel 3: Boy looks up, terrified at his reflection. --- Page 8 – The Twist Realization Visual: Boy pressed against the window, mouth wide open in a silent scream. Outside, blurred city lights pass by, cold and indifferent. Impact: Pure tragedy → he’s innocent (or maybe?), but the world doesn’t care. Style: Use perspective from outside the car, so readers feel like they’re the ones watching him get taken away. Page 9 – Final Shot Final full-page panel: police arrest him → he sees his reflection in the car window → realizes the killer was him. That’s like a “double gut-punch” ending.
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Page 1 – Arrival Wide panel: Boy walking home on a quiet street (maybe sunset or night). Medium panels: He unlocks the door, steps inside. Tone: Peaceful, nothing wrong yet. --- Page 2 – Disturbance Panel 1: Inside the house, boy takes off shoes/bag casually. Panel 2 (close-up): Notices family photo frame on the floor in the next room. Panel 3: Boy freezes, eyes widen → tension rises. --- Page 3 – Horror Big splash panel (full or half page): Boy runs into the room → sees parents lying dead. Other small panels: His shocked face, hands shaking. --- Page 4 – The Killer Appears Large panel: Killer sits in a chair, calm, one leg crossed, face shadowed. Close-up panel: Killer’s hand with unique birthmark/marking clearly visible. Panel of boy’s reaction: Terrified, backing away. --- Page 5 – The Birthmark Panel 1: Close-up of boy’s own hand → the same mark is visible. Panel 2: His expression: confused horror (How could it be…?). Panel 3: Killer still sits in shadow, unchanged → eerie stillness. --- Page 6 – The Retreat Panels: Boy rushes into the bathroom, slams door, breathing heavily. Mirror splash of water: He’s frantically washing blood from his hands or arms. Reflection blurry at first. --- Page 7 – Clues in the Mirror Panel 1: Close-up: faint blood on his shirt collar/sleeve that won’t wash off. Panel 2: Family photo frame (from earlier) lying cracked on the bathroom counter (callback). Panel 3: Boy looks up, terrified at his reflection. --- Page 8 – The Twist Realization Visual: Boy pressed against the window, mouth wide open in a silent scream. Outside, blurred city lights pass by, cold and indifferent. Impact: Pure tragedy → he’s innocent (or maybe?), but the world doesn’t care. Style: Use perspective from outside the car, so readers feel like they’re the ones watching him get taken away. Page 9 – Final Shot Final full-page panel: police arrest him → he sees his reflection in the car window → realizes the killer was him. That’s like a “double gut-punch” ending.

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