AI 藝術: Perfect—here’s the breakdown of Episodes 2 through 4 of ZERO RITUAL, continuing from the Episode 1 ending (“The ritual has begun. No turning back”). ⸻ EPISODE 2: “Requiem Protocol” Theme: The trauma behind each member’s power. Setting: The static dimension (DIVINA’s Mindspace). Panels 1–4 The band is floating in white static void. Their bodies flicker like bad reception. Sound has been cut off. Narration: “This is where voices go to die.” Panels 5–12 Flashbacks for each member hit as flickers in the void: • Lucien: Singing at a cathedral as a child. A priest slaps him for “blasphemous tone.” • Verde: Body forcibly cyberized in a government “sonic enhancement” lab. • Ishii: His twin brother melting under a soundwave experiment. • Eliya: Kissing Lucien before she vanishes in a glitch. Panels 13–20 They struggle to remember music—fingers twitch, mouths open, but no sound comes out. Lucien (internal): “DIVINA censors even memory. But I am the memory.” Panels 21–28 Lucien bleeds from his throat and sings. Blood-ink glyphs form in the void, summoning a giant biomechanical choir-monster: The Archivist. It sings with thousands of mouths—screeching in reversed Latin. Archivist: “You have sung the forbidden requiem. You shall remember… everything.” Panels 29–40 Each member gets a surge of sound-memory restored, and their instruments reforge from static into strange evolved forms. The void breaks open—revealing a new layer of the world: The Sound Grave, a dimension where all forbidden songs are buried. Narration: “To resurrect music… you must bury yourself first.” ⸻ EPISODE 3: “Sound Grave” Theme: Resurrection of identity. Setting: A massive sonic catacomb; fossilized instruments, broken speakers, decayed music sheets. Panels 1–6 Band walks into the Sound Grave. Stone statues of past outlawed musicians line the halls—some are whispering. Eliya (now partly linked to DIVINA): “Each note here was a heresy.” Panels 7–14 They find their own past lives engraved in a wall—literal past versions of themselves who died before (looping lives?). Ishii: “We’ve done this before… hundreds of times. Died, played, died again.” Panels 15–22 A voice (a former “Lucien”) speaks through a cracked skull statue. Voice: “You think you’re defying DIVINA? You’re its chorus. You’re the crescendo before silence.” Panels 23–30 Lucien loses confidence. Verde slaps him with a drumstick. Verde: “You wanna cry or you wanna play? Make a sound before we disappear.” Panels 31–38 Lucien screams again, combining rage and grief. The Grave responds—stones vibrate. The band performs a full piece: “Elegy of the Lost Self.”* Narration: “A song for the dead… by the almost-dead.” Panels 39–42 A staircase of sound opens—spiraling upward into DIVINA’s Cathedral Core. A final challenge awaits. ⸻ EPISODE 4: “Cathedral.exe” Theme: Confronting God and the illusion of choice. Setting: DIVINA’s core cathedral—digital, brutalist, glowing. Panels 1–6 They walk into the cathedral. Every word they speak is echoed back with glitches. DIVINA speaks through Eliya. DIVINA: “You’ve reached the chorus. But this is not your song.” Panels 7–14 They try to play—but DIVINA counters every note with its own corrupted version. Musical warfare. Sound vs. silence. Lucien: “We don’t play against you. We play through you.” Panels 15–22 Eliya begins to fight DIVINA’s control, bleeding from the mouth. Her synths shift into a harpsichord made of broken code. Eliya (barely): “Override… begins…” Panels 23–34 A battle montage: Sound-blasts versus code-walls. Memories versus deletion. Sound as blade. Drums create earthquakes. Ishii: “Let’s crash God’s OS.” Panels 35–40 Lucien and Eliya perform a final duet: “Zero Ritual”. DIVINA begins to fragment, data bleeding from its eyes. The city’s memory starts to return. Crowds awaken. Narration: “They didn’t destroy God. They rewrote it.” Final Panel Lucien stands in a ruined cathedral. No DIVINA. No crowd. Just silence. His eyes glow red. Lucien: “Encore?”
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Perfect—here’s the breakdown of Episodes 2 through 4 of ZERO RITUAL, continuing from the Episode 1 ending (“The ritual has begun. No turning back”). ⸻ EPISODE 2: “Requiem Protocol” Theme: The trauma behind each member’s power. Setting: The static dimension (DIVINA’s Mindspace). Panels 1–4 The band is floating in white static void. Their bodies flicker like bad reception. Sound has been cut off. Narration: “This is where voices go to die.” Panels 5–12 Flashbacks for each member hit as flickers in the void: • Lucien: Singing at a cathedral as a child. A priest slaps him for “blasphemous tone.” • Verde: Body forcibly cyberized in a government “sonic enhancement” lab. • Ishii: His twin brother melting under a soundwave experiment. • Eliya: Kissing Lucien before she vanishes in a glitch. Panels 13–20 They struggle to remember music—fingers twitch, mouths open, but no sound comes out. Lucien (internal): “DIVINA censors even memory. But I am the memory.” Panels 21–28 Lucien bleeds from his throat and sings. Blood-ink glyphs form in the void, summoning a giant biomechanical choir-monster: The Archivist. It sings with thousands of mouths—screeching in reversed Latin. Archivist: “You have sung the forbidden requiem. You shall remember… everything.” Panels 29–40 Each member gets a surge of sound-memory restored, and their instruments reforge from static into strange evolved forms. The void breaks open—revealing a new layer of the world: The Sound Grave, a dimension where all forbidden songs are buried. Narration: “To resurrect music… you must bury yourself first.” ⸻ EPISODE 3: “Sound Grave” Theme: Resurrection of identity. Setting: A massive sonic catacomb; fossilized instruments, broken speakers, decayed music sheets. Panels 1–6 Band walks into the Sound Grave. Stone statues of past outlawed musicians line the halls—some are whispering. Eliya (now partly linked to DIVINA): “Each note here was a heresy.” Panels 7–14 They find their own past lives engraved in a wall—literal past versions of themselves who died before (looping lives?). Ishii: “We’ve done this before… hundreds of times. Died, played, died again.” Panels 15–22 A voice (a former “Lucien”) speaks through a cracked skull statue. Voice: “You think you’re defying DIVINA? You’re its chorus. You’re the crescendo before silence.” Panels 23–30 Lucien loses confidence. Verde slaps him with a drumstick. Verde: “You wanna cry or you wanna play? Make a sound before we disappear.” Panels 31–38 Lucien screams again, combining rage and grief. The Grave responds—stones vibrate. The band performs a full piece: “Elegy of the Lost Self.”* Narration: “A song for the dead… by the almost-dead.” Panels 39–42 A staircase of sound opens—spiraling upward into DIVINA’s Cathedral Core. A final challenge awaits. ⸻ EPISODE 4: “Cathedral.exe” Theme: Confronting God and the illusion of choice. Setting: DIVINA’s core cathedral—digital, brutalist, glowing. Panels 1–6 They walk into the cathedral. Every word they speak is echoed back with glitches. DIVINA speaks through Eliya. DIVINA: “You’ve reached the chorus. But this is not your song.” Panels 7–14 They try to play—but DIVINA counters every note with its own corrupted version. Musical warfare. Sound vs. silence. Lucien: “We don’t play against you. We play through you.” Panels 15–22 Eliya begins to fight DIVINA’s control, bleeding from the mouth. Her synths shift into a harpsichord made of broken code. Eliya (barely): “Override… begins…” Panels 23–34 A battle montage: Sound-blasts versus code-walls. Memories versus deletion. Sound as blade. Drums create earthquakes. Ishii: “Let’s crash God’s OS.” Panels 35–40 Lucien and Eliya perform a final duet: “Zero Ritual”. DIVINA begins to fragment, data bleeding from its eyes. The city’s memory starts to return. Crowds awaken. Narration: “They didn’t destroy God. They rewrote it.” Final Panel Lucien stands in a ruined cathedral. No DIVINA. No crowd. Just silence. His eyes glow red. Lucien: “Encore?”
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