AI 藝術: PAGE ONE – SPLASH PAGE A cluttered comic book store—half nostalgic paradise, half retail hell. Shelves packed, posters curling at the edges, a discount bin that’s seen better days. A handwritten sign at the register reads: "NO, WE DON’T TAKE YOUR CHILDHOOD COLLECTION OF WATER-DAMAGED X-MEN." Above the counter, SUPER BOOK!, an anthropomorphic comic book, hovers smugly, arms crossed. He looks like an old-school superhero but with an all-knowing smirk. SUPER BOOK! (NARRATION BOX): Ah yes, your local comic book store. The last bastion of unbridled imagination—shackled to the harsh reality of payroll, rent, and the ever-looming threat of Funko Pop overstock. Below, two employees—DICK (26, lanky, scrawny) and JACK (28, broad-shouldered, chubby)—lean against the counter. SUPER BOOK! (NARRATION BOX): Meet Dick and Jack. The former: your overworked, underpaid supervisor. The latter: a college drop-out slacker. Together, they hold the line against the real supervillains of the comic book industry—bosses who micromanage, customers who don’t read, and capitalism itself.
創作者 happy sunflower
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PAGE ONE – SPLASH PAGE A cluttered comic book store—half nostalgic paradise, half retail hell. Shelves packed, posters curling at the edges, a discount bin that’s seen better days. A handwritten sign at the register reads: "NO, WE DON’T TAKE YOUR CHILDHOOD COLLECTION OF WATER-DAMAGED X-MEN." Above the counter, SUPER BOOK!, an anthropomorphic comic book, hovers smugly, arms crossed. He looks like an old-school superhero but with an all-knowing smirk. SUPER BOOK! (NARRATION BOX): Ah yes, your local comic book store. The last bastion of unbridled imagination—shackled to the harsh reality of payroll, rent, and the ever-looming threat of Funko Pop overstock. Below, two employees—DICK (26, lanky, scrawny) and JACK (28, broad-shouldered, chubby)—lean against the counter. SUPER BOOK! (NARRATION BOX): Meet Dick and Jack. The former: your overworked, underpaid supervisor. The latter: a college drop-out slacker. Together, they hold the line against the real supervillains of the comic book industry—bosses who micromanage, customers who don’t read, and capitalism itself.
10 months ago
