@aira-shiratori-g4ot AI 生成工具
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AI 動漫生成器
A hyper-cyberpunk-inspired 16K photorealistic render of a tall, androgynous street racer with a lean, muscular build, jet-black hair styled into a sharp undercut with a long, sleek top section dyed electric cyan that falls over one eye, pierced with multiple silver hoops along their right ear and a small diamond stud on their left eyebrow—their face features high, chiseled cheekbones, a strong jawline, and intense cat-like eyes with slit pupils in a vivid neon magenta, lined with smudged black kohl that gives a rugged, untamed edge, lips painted a matte black with a faint metallic sheen. They wear a form-fitting black leather jacket with cropped sleeves, lined with glowing neon blue LED strips that pulse in sync with a subtle heartbeat rhythm, the collar adorned with silver spikes and a chain-link detail that connects to a harness wrapped around their torso, under which a sheer mesh top in deep purple reveals faint cybernetic implants glowing through their skin—glowing cyan circuits that snake from their collarbone down to their abdomen. Their lower half is clad in high-waisted black cargo pants with multiple utility pockets, each fastened with silver buckles, the fabric reinforced with Kevlar panels and etched with subtle neon patterns that glow under low light, tucked into thigh-high black combat boots with platform soles, retractable steel toes, and neon cyan laces, the boots adorned with studs and small LED lights that flash when they move. They lean against a custom-built neon-lit street racing bike with a matte black frame, accented with neon magenta and cyan accents, its engine humming softly with a faint blue glow, the handlebars wrapped in black leather with silver grips, and a holographic display projecting race data in front of the handlebars. The scene is set in a rain-soaked cyberpunk metropolis at night, with towering skyscrapers covered in massive holographic billboards and neon signs that cast vibrant hues of magenta, cyan, purple, and yellow across the wet pavement—puddles reflect the neon lights like shattered glass, steam rises from manholes and mixes with the rain, creating a hazy, atmospheric glow. The racer holds a black carbon-fiber helmet in one hand, the helmet featuring a sleek, aerodynamic design with a visor tinted neon magenta that displays holographic race maps and performance metrics, while their other hand grips a neon-lit energy drink can in electric blue, condensation dripping down their fingers. A small drone hovers nearby, capturing footage of the racer, and in the background, other street racers and cyberpunk pedestrians mill about, some leaning against their own modified vehicles, others walking with cybernetic limbs or wearing futuristic streetwear. The racer’s posture is confident and slightly arrogant—weight shifted to one hip, head tilted slightly as they scan the crowd with a sharp, unyielding gaze—every detail rendered with microscopic precision: the texture of worn leather on their jacket, the way rain droplets bead on their skin and clothing, the faint scratch marks on their bike’s frame, the glow of cybernetic implants through the mesh top, the smudged kohl around their eyes, the individual strands of dyed hair catching neon light, the reflection of the city’s neon in their magenta eyes, the sheen of wet pavement, the rust on distant pipes, the flickering of holographic billboards, and the subtle movement of their jacket’s LED strips. Cinematic lighting with dramatic neon contrasts, deep shadows, shallow depth of field, hyper-realistic skin texture with a slight sheen from rain, photorealistic leather and fabric folds that catch light and water, cybernetic details with glowing circuits, atmospheric rain and steam effects, hyperdetailed background elements (neon signs, skyscraper architecture, other characters’ cybernetic enhancements), trending on ArtStation, Unreal Engine 5, Octane Render, ray tracing for reflections in puddles and visors, intense and captivating gaze, edgy and rebellious vibe, immersive cyberpunk street racing ambiance.
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